![]() ![]() It can shoot in resolutions up to 6K: 6016×3984.Īccording to Kinefinity, if you compare the MAVO LF to the MAVO S35, the CMOS imaging sensor area is 2.25 times the pixel pitch is 50% bigger the SNR is better, and the picture is cleaner.Ībove you can see how the MAVO LF sensor compares to some other cameras on the market. The MAVO LF is Kinefinity’s current flagship camera and features a full-frame CMOS image sensor, with an effective area of 36x24mm. ![]() Kinefinity also now faces competition from Canon and Sony, who both introduced more affordable full-frame digital cinema cameras. ![]() While Kinefinity was alone in the small independent camera space for quite some time there is now a lot more competition, especially from Z-Cam. No longer are they thought of as “ That Chinese camera“, but rather, a legitimate alternative to other more well-known brands. Kinefinity has come a long way in the last 7 years and in that time they have since released numerous cameras that have gradually started to win cinematographers over. Shooting with a pre-production KineRAW S35 camera in 2012 I actually shot with their first-ever prototype camera, the KineRAW S35 way back in 2012. They are a small company that has been around for quite a few years now. Kinefinity has a rather niche place in the digital cinema camera space. I liked the image quality and a lot of the aspects of the camera, but the one that Kinefinity sent me for the review was plagued by reliability and operational issues. My previous review of the Kinefinity MAVO was quite mixed, to say the least. I have previously reviewed the S35 MAVO on the site, but I was keen to see how its bigger brother, the MAVO LF performed. The Kinefinity MAVO LF is one only a handful of cameras that can shoot full-frame 6K. ![]()
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